Using the Leica has added a new dimension to my photographing the skyways. The digital cameras were too unresponsive to try to get certain moments on film, so I settled for scenes. With the Leica I can respond more intuitively to the changing tableaux of faces, gestures and postures. The people I see and photograph become more real, more individual. It is a fitting time for that, with accusations flying among the insiders that the skyways are full of zombies...faceless and proletarian, soulless replicants. Look at these faces and you see souls.
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What we also see is the soul on the other side of the view finder.
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