Friday, July 23, 2010

Six Months of Skyway Ways -- a text moment


This is the first photo I took when I started the Skyway blog, on Feb. 23. Today is the six month mark. I will celebrate by walking over to National Camera exchange and getting some 120 roll film for my 1930's Zeiss Ikonta folding camera. I have acquired a few old film cameras lately to expand my palette of photo methods for the blog...but there are signs that I might be slipping into a yawpish nostalgia which is almost indistinguishable from a personal mid-life phase. It is time to review things, and regain some perspective.

At the six month mark, my thoughts on the skyways are:
1. There isn't enough chaos and disorder, or improvisation and surprise, as it were. I know that is built into the precepts of the skyway in the first place, but it filters out the real drama and dynamics of urban life. Everyone knows this. I want to put it in some kind of perspective, particularly if it helps us see the skyways in relation to the city's future.
2. The lack of dynamic range in the society of the skyways is thrown into sharp contrast to the lower end of the Nicollet Mall, where all the color and impromptu encounters seem concentrated. How can we really integrate the skyways? How can we bring the good, zany, colorful part of street life into our habitrails without freaking out about the appearance of disorder?
3. American cities' core areas went through trauma in the sixties and seventies. Between mindless urban renewal, social unrest, technological change, and the complete dominance of suburban lifestyles in the American imagination, few cities survived the 70's with their spirit and heart intact. Some would argue that Minneapolis suffered less trauma because of various factors unique to our area. Sam Kaufman, in his book on Skyway Cities, even went so far as to assert that the skyways were a major factor in the sustained health and vitality of Downtown Minneapolis during the sixties and seventies, when other cities were being parcelled into dependent dystopias by the events of the time. I think there is something to this arguement, but not what Kaufman thinks it is. More on this later.
4. The rapid approach of the 50th anniversary of the first skyway opening should rouse us to contemplate a celebration, and renewed focus, on the skyway system. It shouldn't just fall on the Downtown Council or a few others to host a token event in Sept. 2012 when the ribbon cutting of the Northstar to Norwest Bank skyway is reenacted, and a few blovia are bloviated. This is an opportunity for a real civic soul-searching. If people don't like the idea that the soul of Minneapolis moves in the skyways, they shouldn't blame the skyways themselves. If they have taken them for granted too long, they should pay attention. If they like the skyways and appreciate them, lets celebrate the current vitality, and future possibilities.
5. The nominal history of the skyways began with Les Park's quirky vision, and the happy partnering with Ed Baker that gave substance to that vision over time. Let's remember those guys, for sure. But let's do more. Let's continue to nurture the real community spirit that finds expression, without fanfare or "branding" in the skyways every day.
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Thursday, July 22, 2010

Fresh Picked Beets

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Cultures meet at the farmer's market


Nicollet Mall.
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Real Foods


Certified organic for pilgrims.
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The Farmer's Market, first class seating

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Red Bull and Blueberries


Anti Oxidants and ADHD.
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Farmer's market, Nicollet Mall

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Red Bull girls


Advertising the Flugtag Aquatennial event, giving away free Red Bull. It gives you wings, and makes you jump off 30 foot towers in colorful homemade contraptions.
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Waiting for the bus on the Mall


As seen from the Target store skyway level.
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Confusion, uproar and tumult. And that's the good news.


Glorious Chaos on the Nicolett Mall.
Laugier said, of what is needed in city design:
"There must be regularity and fantasy, relationshps and oppositions, and casual, unexpected elements that vary the scene; great order in the details, confusion, uproar and tumult in the whole."
From M.A. Laugier, Observations sur l'Architecture, the Hague, 1765
What is so lacking in the skyways, is the uproar and tumult. The confusion exists in not knowing where you are, of course.
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Wednesday, July 21, 2010

The art of parking ramps I


Swirling space, vertigo, the comforting banality of signage.
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The art of parking ramps II


Minimalist. Art Brut. But evocative, both of fallen empires, and empires yet to fall.
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Parking in Hades


The parking ramps have played a big role in the development of the skyways. Most of dowtown development has followed the general outlines of an urban renewal vision dating back to the fifties, which placed parking on the outer perimeter of the shopping and working districts. This fact worked in favor of the successive skyways built out from the center of downtown. If anyone doubted how useful they were, they only had to think about walking four blocks from their parking ramp to their office in -40 degree wind chill.

For me, the parking ramps constitute a kind of underworld contrasting to the priveleged elevation of the skyways, even the ramps that are actually several stories higher than the skyways themselves.
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3rd Ave So. and Seventh Street


The silhouette of a man reading as he walks through the skyways on a sunny perfect summer day.
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Parking ->

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Looking north along Second Ave. So.

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Capella to Crown Plaza skyway from Sixth Street and Second Ave. So.

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Skyway, Foshay, from Sixth and Second Ave So.

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What image within the image lurks herein?




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Where's Capella?


These images all have the reflection of the Capella tower in them.


You have to look closely to find it, sometimes.


Other times its less subtle.


Taken from below the crown.
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Chihuly glass in Capella atrium


The security guard asked me to stop taking pictures after this one. He was the nicest so far.
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Chihuly glass in Capella atrium

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Capella atrium

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